Moet

Noah's altar after the Flood, the building of Babel and the life of Abram are told scene by scene in these prints by Moet, t...

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Noah's altar after the Flood, the building of Babel and the life of Abram are told scene by scene in these prints by Moet, the draughtsman credited in Thomas Stackhouse's A New History of the Holy Bible. The plates were issued in London for John Hinton in 1752, with engraving credited to Gucht. Abram's departure for Canaan, the rescue of a captive kinsman, the meeting with Melchizedek and Abram's deep sleep complete a focused Old Testament sequence in which figures and actions carry the story.

Noah's altar after the Flood, the building of Babel and the life of Abram are told scene by scene in these prints by Moet, the draughtsman credited in Thomas Stackhouse's A New History of the Holy Bible. The plates were issued in London for John Hinton in 1752, with engraving credited to Gucht. Abram's departure for Canaan, the rescue of a captive kinsman, the meeting with Melchizedek and Abram's deep sleep complete a focused Old Testament sequence in which figures and actions carry the story.

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